Monday, December 26, 2011

Blue Microphones Snowball USB Microphone (White)

!±8±Blue Microphones Snowball USB Microphone (White)

Brand : Blue Microphones
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Post Date : Dec 26, 2011 15:48:11
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Create studio-quality recordings with Blue Microphone's Snowball, a USB microphone with exceptional sound-capture capabilities. Using Blue Microphone's award-winning dual-capsule and circuit design, the Snowball produces crisp, clean recordings that are free of feedback and distortion. A unique pattern switch allows you to toggle between three different settings, giving you the flexibility to record vocals, instrumental music, podcasts, interviews, and more. With a plug-and-play design that is both Mac and PC compatible, the Snowball requires no additional drivers and is ready to record straight out of the box.

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Tuesday, December 20, 2011

Blue Microphones Bluebird Cardioid Condenser Microphone

!±8± Blue Microphones Bluebird Cardioid Condenser Microphone


Rate : | Price : Too low to display | Post Date : Dec 21, 2011 01:35:07
Usually ships in 24 hours

Designed to offer superb sound and maximum versatility, Blue Microphones' Bluebird is a large-diaphragm cardioid condenser that can handle everything--including vocals, electric and acoustic guitars, drums, strings, and woodwinds. It utilizes Blue's renowned microphone technology and a Class-A discrete circuit to achieve superior detail and clarity, while its unique, retro appearance is sure to be a hit in the studio. The complete Bluebird package includes a shockmount, pop filter, and wooden case.

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Bluebird Cardioid Condenser Mic At a Glance:
  • Lends a warm tone and silky smooth highs to recordings

  • Ideal for male and female vocals, electric and acoustic guitars, drums, piano, horns, and strings

  • Proprietary large-diaphragm capsule

  • Cardioid polar pattern

  • Includes shockmount, pop filter, and case

  • Three-year limited warranty
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Blue Microphones Bluebird Cardioid Condenser Mic
Unique, retro appearance is sure to make an impression in the studio. View larger.

Blue Microphones Bluebird Cardioid Condenser Mic
Includes shockmount, pop filter, and case.
All-Purpose Design Gives You Professional Quality

The Bluebird is Blue Microphones' response to popular opinion--most people ask for a mic with a warm tone and silky smooth highs, and the Bluebird delivers. Engineered to be as versatile as possible, the Bluebird maintains the high-quality, no-compromise audio that you expect from Blue Microphones. This makes it ideal for male and female vocals, electric and acoustic guitars, close-miking of drums, drum overheads, percussion, piano, horns, and strings--in short, whatever you need it for most.

Proprietary Capsule and Discrete Electronic Components

Each professional-grade Blue Microphone utilizes a unique, proprietary capsule design to capture a specific sonic signature, and the Bluebird is no exception. As a large-diaphragm condenser with a cardioid polar pattern, the Bluebird is built to capture rich, full-bodied sound from sources that are directly in front of the mic.

The capsule and cardioid pattern combine with high-quality electronic components, including a Class-A discrete amplifier circuit, to ensure that each Bluebird mic offers consistent, reliable performance with extended top- and bottom-end sound detail. The electronic components in all of Blue's microphones have been carefully selected, based on 20 years of engineering and experimentation, in order to increase microphone speed, decrease distortion, reduce product variance, and ensure long-term dependability.

Unique Vintage Look and Complete Setup

Satin nickel plating and a baby-blue grip give the Bluebird Mic an original look that matches its well-rounded audio performance. A specially designed shockmount and metal mesh pop filter for laying down clean vocals are included with the mic. It also comes with a wooden storage case that matches the mics retro good looks.

The Bluebird is backed by a three-year limited warranty.

What's in the Box

Bluebird cardioid condenser microphone, shockmount, pop filter, and wooden case.


Blue Microphones Bluebird Cardioid Condenser Mic

Engineered to be as versatile as possible, the Bluebird is ideal for vocals, electric and acoustic guitars, close-miking of drums, and more.

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Sunday, December 11, 2011

Blue Microphones Yeti USB Condenser Plug-and-Play Microphone with On Stage Boom Microphone Stand AND Pop Filter

!±8± Blue Microphones Yeti USB Condenser Plug-and-Play Microphone with On Stage Boom Microphone Stand AND Pop Filter

Brand : Blue Microphones | Rate : | Price :
Post Date : Dec 11, 2011 06:21:45 | Usually ships in 24 hours


  • Blue Microphones Yeti USB Condenser Plug-and-Play Microphone
  • On Stage Boom Microphone Stand
  • Pop Microphone Filter

More Specification..!!

Blue Microphones Yeti USB Condenser Plug-and-Play Microphone with On Stage Boom Microphone Stand AND Pop Filter

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The Best Computer Microphone - Top 3 On The Market

!±8± The Best Computer Microphone - Top 3 On The Market

There are quite a few top quality computer microphones available today but which one gives you the best value for your money? This article will look at the 3 best microphones on the market so you make a more informed decision before you part with your cash. This way you'll know that you'll be getting the best computer microphone to suit your needs.

USB mics have had a bit of a bad reputation in the past but recent technological advances have improved the quality of recording significantly. With these three mics you can now hear the clarity with minimal background noise to offer pro sound quality. User demands are varied and these three mics encompass every requirement from recording vocals and instruments to podcasts, speech and even VoIP.

So long as there is USB port on your PC, all three of these mics will work on both Windows and Mac. The issue of compatibility is nil for the users of these microphones. Not one of the microphones needs any extras to be installed so using them couldn't be easier.

The first one that comes to mind is the Blue Yeti mic, attractive and with professional sound quality. This is the universes 1st THX-certified USB microphone and uses Blue's proprietary three capsule science to make sure your sound is the nearest to studio-quality that's possible. The Yeti has a headphone input allowing you to monitor your recordings and also has controls that let the user adjust headphone levels, mute and microphone output gain enabling real-time recording control. For a range of sounds it has the option to choose 4 different polar patterns.Stereo mode uses both the left and right channels. Cardioid mode records sounds that are right in front of the mic. If you want to capture sound from every direction, the omnidirectional pattern is good for including ambient sounds. Bi-directional position records from the rear and front of the capsule.

It comes complete with an adjustable stand that allows freedom to change the direction of recording. For a complete bundle, the features are plentiful in a single microphone. Its old fashioned appearance gives it a "groovy" feel and it will look great at the side of your PC.

Another quality product comes courtesy of CAD and their amazing CAD U37 USB Studio Condenser Recording Microphone. This microphone permits budding engineers to record studio-quality audio straight into a computer smoothly. There is no software or driver to install so it is simply a case of plugging it in and starting recording straight away. If you're looking for rich and warm recordings, the large diaphragm mic is the one most often used for vocals and instruments. To reduce ambient noise and unpleasant background sounds, there is a bass "roll-off" button.

Other modes offer the feature to vary the sensitivity giving you the option to capture ambient sounds if you want. The generous 10-foot cable allows for maximum flexibility when choosing where to place it as having it next to your PC or laptop may not always be possible. Apart from the cheesy appearance of the CAD U37, this microphone does does it all and does it quite well. It has the ability to pick up the full texture of sound in a room in order to fully capture ambiance.

The Samson Go Compact USB Microphone is the last on the "best-buy" list. We hear that good things come in small packages and this wee mic follows that rule. It is custom built so that it can clip directly onto your laptop which means you can record on the go. It's really good for recording songs, podcasts and Skype should that application ever come along but the ability to capture sound in the field is superb. For different kinds of recording it features both the Cardioid and Omnidirectional pattern choices. The omnidirectional mode allows users to capture an entire room - ideal for impromptu band practice wherever. Since this mic still offers superior sound for such a small size makes this microphone a must for anybody who needs to record in different places.

These 3 products fit 3 different price-ranges according to one's budget. Blue Microphone's Yeti is the most pricey out of the three but is surely worth it in terms of the features and sound quality. The CAD U37 Studio Condenser Recording mic and the Samson Go Compact mic both retail for around the same price and they are considerably cheaper than Blue's Yeti. Depending on the type of user, this is a very good value - the CAD or the Yeti for home recordings and the Samson being ideal for the type of user that is always on the move.


The Best Computer Microphone - Top 3 On The Market

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Thursday, December 8, 2011

Why You Might Want a 24 Bit Audio A-D Converter

!±8± Why You Might Want a 24 Bit Audio A-D Converter

As reluctant as I am to splash terminology onto the screen that might cause your brain to freeze or worse, cause you to lose consciousness altogether, I think this is something you really do want to know a bit (ha ha...audio humor) about. So let's get it out of the way. Ready? Here goes. "Try your hardest to record with a 24 bit audio analog-to-digital (a-d) converter." Still with me? OK. Now let's explain some things.

I talk a lot about noise, going so far as to name it the number one enemy of good audio. There are lots of sources for noise, including screaming kids, lawn mowers, attention-starved cats (meaning it's been more than 5 minutes since their last lap session), and the dreaded computer noise. But let's assume for the moment that you have managed to tame those sources of noise and you have a nice quiet space for recording. Since our home recording studio uses a computer for recording, the sound that we want to record-let's say your voice for this example-needs to be converted from being a sound in the real world (air particles moving around, basically) to being something a computer can understand, namely a digital sound (a bunch of ones and zeros). It's like what the Master Control Program did to Kevin Flynn in Tron to convert (ha!) him from a person in the real world (flesh and blood and some other gooey and crunchy stuff) to being something a computer can deal with, namely a digital person.

Another kind of noise happens after audio is converted to digital. There will be a digital noise floor or a sort of hissing sound that is a product of the conversion. You'll hear this, as soft as it is, regardless of whether you actually record your voice or not, and even in a very quiet room.

On-board sound cards, the ones built right onto a motherboard, will convert audio from analog (Kevin Flynn) to digital (well, Kevin Flynn again, only with a goofy costume and gray-scale skin), but most of them have two problems. First, the components used to do the conversion are not great. Second, they usually only convert using what is called a 16-bit bit depth. Yikes! What the heck does that mean? Never mind that. I'll write another article on just that very soon. All you need to know at this point is that recording when the bit depth is only 16 bits means that the difference between the quietest sound (which would be that noise floor I mentioned) and sound that is too loud is quite narrow.

One of the worst sounds in the world is audio that is all buzzy and distorted because it was too loud for the electronics. It really is unpleasant. If you're trying to record your voice, and things keep distorting, it means your voice is too loud at certain points. If you have a meter, you'll see it go into the red on those parts. So what's the alternative? You could try talking or singing quieter or backing away from the mic on the loud parts. That will work, provided you work really hard at it. The problem then is that if you back too far away from the mic, you'll let too much room sound in. I'm assuming you're recording in a home studio which means that the room sound is almost certain to be bad...lots of echo and reverb usually. The other main problem is that the really quiet passages will have to be "turned up" after you're done recording, in order to be heard. And when you do that, you also turn up the noise.

Yeah yeah, I hear those of you saying you could just put a compressor in between the mic and the converter. Yes, you could do that. But in general it is not a great idea to compress your audio before it's recorded because you won't be able to change it afterward. Plus, you'd still have a pretty audible noise floor if you record with a bit depth of 16. So what's better?

Recording with 24-bit conversion is better that's what! Why? Will the voice sound better? Meh, probably not so much. But the reason why 24-bit recording is better is that the noise floor is much, much lower. So the narrow range between noise floor and too loud you had with 16-bit recording is expanded hugely. You will be able to speak both very quietly and quite loudly without nearly as much worry about distorting. Also, if you want to increase the volume on the quiet parts of the recording in your audio editor afterward, the increase in digital noise won't be anywhere near as audible. With 24 bit recording, you should end up with less noise and fewer incidents of distortion due to clipping when you were very loud.

So now comes the practical question. How do you get 24 bit conversion? Well, you are not likely to get it with a typical on-board sound card. But several USB mics have 24-bit converters built in. Yeah, USB mics just plug directly into a USB port. Cool huh? Some examples are: the MXL Studio 24 or the Blue Yeti Pro (note: NOT the regular Blue Yeti, which is only 16-bit).

Another really cool way to record at 24 bits without having a USB mic or audio interface is a cool little device called the MicPort Pro - Compact USB Microphone Preamp. You can just plug your microphone into one side the MicPort, and then plug the MicPort into a USB port on your computer.

And last, but most definitely not least, is to get an audio interface box. Most of them offer 24-bit recording these days. Some examples are: The M-Audio Fast Track or the EMU 1616m PCIe Digital Audio System.

Of course there are tons of other choices out there for all of these pieces of equipment to help you get recording at 24 bits, which I highly recommend you do if at all humanly possible. Your workflow will improve and the resulting audio will be better, mainly because there is less noise.

Let your quest for 24 bit audio recording start here!


Why You Might Want a 24 Bit Audio A-D Converter

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Sunday, December 4, 2011

Blue Microphones Yeti Pro USB Condenser Microphone, Multipattern.

!±8± Blue Microphones Yeti Pro USB Condenser Microphone, Multipattern.

Brand : Blue Microphones | Rate : | Price : Too low to display
Post Date : Dec 04, 2011 08:00:29 | Usually ships in 24 hours


  • Three custom condenser capsules and four different polar pattern settings: Cardioid, Stereo, Bidirectional and Omnidirectional
  • Cutting-edge A-D converter chip and separate analog circuit path for use with professional studio mixers and preamps
  • Built-in headphone amplifier for zero-latency monitoring, and direct controls for headphone volume, pattern selection, mute, and microphone gain
  • 15 Hz-22 kHz frequency response
  • 192 kHz/24 bit Sample/Word

More Specification..!!

Blue Microphones Yeti Pro USB Condenser Microphone, Multipattern.

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